Tag Archives: Art thoughts

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The latest podcast over at Craftypod is about crafty overload, but it applies equally to any kind of creative overwhelm. As someone who suffers from 'too-many-ideas-and-starting-too-much-and-not-getting-enough-finished' and the resultant 'oh-shit-oh-shit-my-head-is-going-to-explode' on a regular basis, I was laughing and nodding all the way through. Total comedy of recognition, right down to using compulsive list-making as a solution!

One of my latest tricks for staying in control is to keep a card index of blank cards on my desk to write down my art ideas. That way, instead of things being written in lots of different notebooks, various scraps of paper or just jumbling around in my head, all my art ideas should theoretically end up in the same place - a nice, safe red box that I can close the damn lid on!* Of course, I have years of bits of paper and sketchbooks to go through to unearth all those lurking ideas that are still nibbling away at the edge of my consciousness, giving me insomnia and constant feelings of being overwhelmed but I'm sure that the theory is sound...

What are your tricks and tips for avoiding feeling overwhelmed?

* It's only just occurred to me how amusing it is that the box is red. Actually, it was the only colour left in the shop but the symbolism does seem apt since it's clearly dangerous in there.

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I've been working on another couple of posts about blogging for the Artists Online Series and hope to get them posted in the next day or two. However, I'm on a deadline this week so I thought I'd just post a quick image to tide you over. I need to spend the evening in the studio - I'm making some jewellery for my brother's wedding at the weekend, it seems to be coming up alarmingly fast.

Kirsty Hall - Mortar and Pestle
Kirsty Hall - art, photograph of Mortar and Pestle

I adore mortar and pestles (although I can never remember which is which) and often use them in my work; I've done various pieces where grinding things down was an integral part of the process. This one was shot in the window of the studio I rented before I decided that I worked better from home. I love the grey tones in this shot - I haven't done anything to it, it's just how the light was that day.

OK, enough talk of studios, it's way past time for me to get into mine!

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Mandy over at Messy Canvas has written a very entertaining post about the constant mental dialogue she has with her internal critic over whether she's an artist or not:

"I think I would love to be an artist."
"No, no you're not artist material."
"Well, that may be, but I would like to be one anyway."
"You can't be an artist, for a number of reasons: You can't support yourself and be an artist. You can't possibly take time away from all of life's responsibilities to just sit and play with art. And you can't just go around calling yourself an artist. You must be deemed one."
"Hmmmm, I hadn't thought of all that."
"Yeah, I didn't figure."
"Did I mention that creating makes me come alive?"
"Did I mention that creating makes you go broke and is a silly waste of time?"
"Yes, yes, you did make that point. And I suppose it's a good one."

Read the rest here.

And I've done it! Yep, there's a new post over on the a-n Diary Project blog so I am now officially up to date with the Diary Project.

Sure, there's probably a dozen other things that I could do for the project, especially in terms of promotion, but now that I've done that blog post there's nothing that's urgent or lingering.

My tip of the day: make a start on something that you've been procrastinating about. It probably won't take nearly as long as you think and you'll feel fantastic when you finally get it off your to-do list and your conscience.

I've updated The Diary Project this morning and it's all completely up to date, which always makes me happy.

DP 220
Kirsty Hall: Diary Project envelope from 8th August 2007

I am a little cross this morning though because I can't find my username and password for my a-n projects unedited blog. I've been meaning to update it for absolutely ages - it's getting to the embarrassing point at this stage - but it kept falling off the bottom of the list. I'd finally got myself organised to sit down and do it this morning and then promptly found that I couldn't. Grrrr... I'm going off to try various options in the hope that I can drag something up from my memory, if not, I'll email them and try not to look like a complete idiot!*

On the plus side, I've just learnt how to make text change size in WordPress, the rather fabulous open source software that runs this site. This is happy-making because I try to learn something new every single day, even if it's just a little thing. I like getting to the end of the day and thinking 'well hey, whatever else happened, at least I learnt something today'. Hmm, I wonder if that's partly an artist thing? What do you think? Certainly, I think that creative people of any stripe tend to have more than average curiosity and that's often coupled with a desire to find out how things work and learn new things. I also think that creative people are frequently fuelled by dissatisfaction - you know the feeling, 'well, it's kind of OK but it could be even BETTER!' Of such constant thoughts are new things born. It always amazes me that people who aren't artists have this romantic notion about how it must be wonderful all the time, when in reality it's usually more like an itch that you can't quite scratch!

*EDIT: Much to my great surprise, I did manage to guess the username/password combination so I now have absolutely no excuse if I don't update that poor neglected little blog today!

Sorry for the short absence, I've been meaning to post but I was busy with other things. Anyway, back to our regular scheduled programming.

If you haven't seen it before, George Lucas In Love is a wonderfully affectionate parody/tribute. Made in 1999, it's only 9 minutes long and if you've ever seen and enjoyed Star Wars you'll probably be charmed by it, I certainly was.

Lindsay asked in comments how I find the stuff I link to. I find most of the artists I feature in posts or links from other artist's blogs, I read about 20 or so art blogs and a few of my favourites can be found on the links page of this site. But sometimes I'll find stories or things out in the offline world too. This link is a good example, my partner had seen it before and noticed it was on the Sci-Fi Channel so he called me through and made me sit down and watch it. He also emails me stories about art that he's seen on the web too.

I have a folder on my computer where I store webpages about stories that interest me, which is useful if I don't have time to make a blog post instantly.

On other occasions I've found artists in the newspaper or in art magazines and then looked them up online. I'm always disappointed if I can't find anything about them.

I do think that having some kind of professional visibility online is increasingly important for artists and it's something that I plan to write more about soon. In the meantime, I'd like to encourage any artists reading this who don't already have an online presence, to get themselves a Flickr account and put up some images of their work. You could use a different photo hosting site, there are lots out there, but I adore Flickr because of its community aspects and ease of use. When you sign up, using your real name in your username or your profile will mean that you're searchable in Google. It's a really cheap and easy way to make a sort of mini website of your artwork, without all the scariness or expense of making a website. I've also found the Flickr community to be very welcoming and supportive of art and there are plenty of groups over there dedicated to discussing art and showing other members your work. It can really be a fantastic way to promote your art; according to my beloved Google Analytics, it's my third biggest source of visitors to this site while over on The Diary Project blog, it's the largest source.

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Jill Rumoshosky Werner writes an interesting blog over at Redefined.

I discovered her blog when Alyson Stanfield of Art Biz Blog linked to her very funny post, Top Ten Reasons For Becoming An Artist. Too true!

I particularly agree with her latest post about knowing when to get outside help as an artist.

"When I started, I never thought I'd need to know web design, digital imaging, search engine optimization and mass marketing techniques to become successful, but unlike most artists, I have a heavy marketing, computer and writing background...Even with all that experience, there are things I can't do by myself and for those, I look for outside help."

This is such a key realisation for any artist. I had a conversation with another artist last year when she told me that she always budgets for someone else to do the documentation of her work because she hates to do it. That moment was very instrumental in me deciding to pay someone else to design my website. I'd been trying to do it myself for years but just didn't have enough design or technical skills. I'd been coming to the realisation that I needed to pay someone else for quite a while but like most artists, I was used to doing everything myself on a shoestring budget so I was quite resistant to the idea of paying for something that I thought I ought to be able to do myself. However, while it's useful for artists to learn stuff like marketing and publicity, there comes a point when you have to say 'I can't do this as well as another professional and it's false economy for me to try'.

Do this today: Make a list of the art things you know you suck at or really hate to do and work out ways in which you can delegate that responsibility.

Can you pay someone else to do it for you?
Can you share or swap hated tasks with another artist?
Can you find creative ways to make it more interesting?
If you think you could do it but just lack confidence or knowledge, can you take a workshop or learn from someone who does know how to do it?

Remember to do the maths - if something is going to take you ages to learn and you'll never need to do it again, then it might be a false economy. Unless you actively enjoy it and it feeds into your art, it might also be an excuse for not working on your art. Remember that while you may be a 'starving artist', your time and energy are also important and worth valuing.

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I like to listen to podcasts while I work. I can't read, write or do anything too complicated whilst I listen but I do often scan and edit photos, knit or work on pieces of art that require fingers and time but not too much thinking. Quite a lot of Pelt - the latest pin piece - has been done to the accompaniment of podcasts.

Kirsty Hall - art, Pelt, Pin Sculpture
Kirsty Hall: Pelt, April 2007

Pelt in progress - photographed in April, back when the weather was nice enough that I could make art out in the garden, sigh.

One of my favourite creativity podcasts is Craftcast by Alison Lee. I just listened to the episode with arts business coach, Bruce Baker. I laughed out loud in several places when he touched on issues that have been repeatedly coming up for me recently. I love when the Universe gives you really obvious messages like this. OK Universe, I get it, I'm meant to be thinking about money, selling and learning to give up control of the bits that I'm not so good at!

As I say, I'd already been thinking about these things and I feel that I'm making some pretty big internal leaps in relation to how I feel about my art practice. For example, getting the website up has been a big thing: after years of failed attempts and dithering, I finally recognised that I needed to employ someone to design it or it just wasn't going to happen.

In a similar vein, I recently joined the Spike Island Associates Programme as a way of networking with other artists and overcoming the invariable isolation that comes with having a studio at home. I went to a private view there on Friday and then to an interesting talk yesterday by Lucy Skaer & Rosalind Nashashibi, who'd collaborated on a film together. The bit where they were talking about getting permission to film in the Metropolitan Museum in New York particularly resonated with me and it forcibly struck me last night that I'm now in the position where I should also be applying for funding and working with institutions who can give me more support than I've had previously. I suddenly feel that I'm ready for that and I know that my work is too. Inevitably perhaps, my own perception of my success as an artist is as much about these sudden internal jumps in confidence, as it is about external markers of success.

From the Behance website.

When you complete a list of action steps, your instinct might be to throw the list away. After all, the work is completed! However, some creative professional teams take a different approach; they relish their progress. Some go so far as surrounding themselves with it.

to-do

As a compulsive list maker, this photo made me laugh. I don't need to do this because I end up with finished pieces of art to remind me that I've completed things but I can certainly appreciate the motivation. I have been known to sneak things onto my to-do list after I've already done them just so I can have the reward of ticking them off. And for very special occasions - like launching the website - I use gold stars on my lists. The website was the first of my ten goals for 2007 to be completed so I crossed it off and put a gold star next to it. I'm so mature.

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Since I'm not in America, I haven't seen the reality dance show in question, but I found this NY Times article* about what happens when someone who's a professionally trained dancer goes on one of these shows very thought-provoking.

"Even more disturbing is the idea that “So You Think You Can Dance” has emerged as a viable option for real dancers, including Mr. Tidwell, who don’t have to look far to see that career options have been greatly depleted. At its best, the show provides a kind of kicky fun, the good side of cheesy. But it’s also outdated and perpetuates many stereotypes about what constitutes good dance (speed is in, subtlety is out), what language is used to describe it and how training makes boring dancers...

...In one episode, Mr. Lythgoe declared: “What I dislike are dance snobs, and those are people who think you need a formal training with years and years of experience before you can be called a dancer.” He continued: “You don’t just need a formal training. It’s because you have a great feel for dance."

This anti-training stance bothers me. Yes, you can be a talented amateur in any field and you can choose to step outside formal training but the fact remains that you still need to practice if you're ever going to develop. No artist, in whatever medium, will get far without learning some relevant skills. Just as important is learning the language used in your field, especially if you want to be a professional. I'm not saying that everyone should go to college, but I do think that you need to get some input from someone who's further on than you, whether that's by taking classes, reading books or just going and looking at what they do and thinking about it a lot.

I do understand that there can be a problem with formal training - people sometimes get stuck just repeating what their tutor does and never finding their own voice. Sometimes this is because of bad teaching, sometimes it's because people get afraid to take their training wheels off, sometimes it's because they've genuinely gone as far as they're going to. But usually you can get beyond that point by continuing to work and practice, practice, practice. When you do, you'll usually find that you do eventually start to make some leaps on your own. There is a hideous part of learning when you've lost what Zen Buddhism calls 'beginner's mind' - that state where everything is new, exciting and wonderful and you sometimes make good stuff simply because you're fresh and innocent and don't know enough about the rules to be bound by them. But once you've learnt a little bit, you can get stuck, stilted and panicked because you can suddenly see just how crap you really are - the trick at that point is to doggedly keep going, keeping the faith that eventually, through practice, you'll get good again.

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