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Danish artist, Peter Callesen makes amazing sculptures from cut paper.

Peter Callesen - papercut sculpture
Peter Callesen: Impenetrable Castle (detail), 2005

I love the simple whiteness and complex, intricacy of his work. Of course, the more complicated papercut sculptures will tend to impress most viewers because of the high level of skill and craft needed to make them - I'm sure they're his 'crowd pleasers'. However, in many ways, I'm more impressed by the very simple ones because I think it takes more courage as an artist to exhibit very minimal work. The less you have, the more focus there is on it and the more exact it needs to be.

Peter Callesen - papercut sculpture
Peter Callesen: Snowballs (detail), 2005

I'm also rather charmed by the contrast between his incredibly precise papercut work and his loose, exuberant drawings.

Peter Callesen - dying swan drawing
Peter Callesen: Drawing from The Dying Swan series

In fact, if you look at the different sections of his site, it's apparent that he takes very different approaches depending on the medium. However, because he's working with a central theme of fairytales, it all seems to come together. It's clear looking at the rest of his practice, particularly his performance work, that ideas of absurdity, futility and even tragedy also play a large part in his thinking.

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Michelle wrote in the comments on the Alt Images post:

Very informative post, Kirsty. One question: is there a place to learn how to create alt tags? The article is clear about what they are, but not how to make them. For those of us who are coding-challenged (or coding-averse, more accurately!), this would be vitally valuable information! Thanks.

No problem, Michelle, I'll have a go at explaining it.

I'll use this image as an example:

Kirsty Hall - Photograph of Broken Cup Handle With Shadows
Kirsty Hall - art, photograph of Broken Cup Handle With Shadows

It's actually pretty simple and you don't need to be scared of it. OK, if you look at the code on your linked image, you'll see something like this:

initial code here="tt-flickr" href="big long string of code"> img class="tt-flickr" src="a different bit long string of code"
width="500" height="305" alt="Broken Handle 01" /> closing code here

Please note, I've replaced the actual code with the helpful words 'big long string of code' and 'initial code' and 'closing code', so that we can see the code instead of just getting the picture again (working out which bits to change took me quite a while, since I'm pretty code impaired myself!) The code may also be in a slightly different order depending on how you've linked the photo. However, the only bit you're interested in is the bit that says, alt="whatever" /> and that will always appear somewhere towards the end.

In this case it originally said alt="Broken Handle 01" />, which was just the title of the image in Flickr. Now Broken Handle 01 isn't very informative, it doesn't give you my name or much about the image, so I changed it to: alt="Kirsty Hall - Photograph of Broken Cup Handle With Shadows" />

Basically, whatever you put inside the two sets of quote marks between the = sign and the /> code will be what Google and the other search engines read as the alternative text for the photo.

If any of you are more technically minded than me and are smacking yourself on the forehead and yelling 'dammit, that's completely wrong', then please do get in touch and I'll change it but I'm 99% sure that this is right.

Making that text searchable and relevant is how your work winds up in Google Images so, you should be adding your name and keywords that are appropriate to that particular work, i.e. 'oil painting', 'landscape', 'sculpture made from pins', etc. Apparently using keywords in alt tags can boost your general Google results too, although I'm not too sure how (magic Google dust sprinkled by the Google fairies maybe?)

Don't restrict yourself to using alt text just as a promotional technique though. You should also make sure that your text is clear and descriptive to make your site or blog more accessible to disabled internet users. Text browsers can't detect images but can detect alt tags and will translate them into spoken text for visually impaired web users. People in countries with poor web access may also have their browsers set to text only and they'll see little written blocks of text instead of your images. Bear this in mind when you're writing your tags. This article has more details on the level of helpful descriptiveness you should be aiming at.

It's a shame that Flickr seems to turn the photo title into the alt text since I can't quite bring myself to label all my Flickr photos with my name (I think it would look way too pushy, weird and tacky). Manually changing the alt text when I post images over here seems to be the only solution right now but I will do a bit of research over on Flickr to see if there's some wonderful way to add hidden alt text to the images without putting it in the titles.

However, if you're uploading images directly into your WordPress site, rather than linking from Flickr, then you can set your alt text very easily. Simply go to the section where you upload images and type the description you want in the box that says 'Title'. I imagine that other blogging software probably has similar options but fortunately changing the code isn't too complicated - just make sure you don't accidentally erase those all important little quote marks.

I hope this makes things a little clearer, Michelle. Oh, and if it makes you feel any better about the subject, I've just this minute realised that I have 235 envelope images to change over at The Diary Project. Someone shoot me now!

EDIT: on the advice of Gyrus, I've changed the term 'alt tag' to 'alt text' as the later is apparently less confusing and more accurate.

Gyrus also points out the following:

Sometimes you might not get the alt text come up when you hover the mouse over an image (it doesn’t come up on Firefox, for instance). Properly, the alt attribute value is “alternative” text, i.e. to use if you can’t see the image (either it’s a text browser, images are turned off, or it’s a speech browser reading the text out). That little “tooltip” that pops up, if it’s there at all, is technically supposed to come from a “title” attribute on the img tag. The title is optional, though. Just thought I’d mention this in case anyone gets confused on Firefox with the alt text not popping up when you mouse over it.

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Unsurprisingly, given the prevalence of small objects in my own work, the idea of the miniature has always fascinated me. It's easy to fall into kitsch with it though, something that Thomas Doyle manages to avoid. Instead, his tiny worlds capture and reveal intense moments of strangeness in which we're the ultimate voyeur.

Sometimes it's pretty clear what's going on, as in this piece:

Thomas Doyle = The Reprisal
Thomas Doyle: The reprisal, 2006

But in others, the narrative is far less obvious, leading to an art that speaks of fracture and dislocation.

Thomas Doyle - They draw you out
Thomas Doyle: They draw you out, 2006

His work makes me think about that moment in a dream when the unnerving quality of an almost normal situation suddenly overwhelms you and you start to slip inexorably into a nightmare.

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I've been working on another couple of posts about blogging for the Artists Online Series and hope to get them posted in the next day or two. However, I'm on a deadline this week so I thought I'd just post a quick image to tide you over. I need to spend the evening in the studio - I'm making some jewellery for my brother's wedding at the weekend, it seems to be coming up alarmingly fast.

Kirsty Hall - Mortar and Pestle
Kirsty Hall - art, photograph of Mortar and Pestle

I adore mortar and pestles (although I can never remember which is which) and often use them in my work; I've done various pieces where grinding things down was an integral part of the process. This one was shot in the window of the studio I rented before I decided that I worked better from home. I love the grey tones in this shot - I haven't done anything to it, it's just how the light was that day.

OK, enough talk of studios, it's way past time for me to get into mine!

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I try to do a promotional or marketing thing every day. That sounds daunting but it can be quite a small thing and it doesn't always involve contacting people. Today I'm working on the 'alt tags' on my images. I kept reading about using alt tags on images when doing research for my Artists Online series but I just wasn't quite getting it. Then this morning I read this article, which clearly explains what they are and why you should use them and it suddenly clicked.

As an experiment I went into Google Images to see how often my work appears and the answer appears to be 'never'. Oops! Oh, I'm there a couple of times, mostly when people have linked to my curating work but images of my work - er, not so much. So I'm doing yet another of my little experiments; I'm altering the alt tags on my images in this blog, so that they include my name and descriptions of the work. And when I've remembered how to do it, I'll go into the gallery pages and check all the images there too. I'll let you know if it makes a difference to my Google results.

Kirsty Hall - Stained Cup
Kirsty Hall - art, photograph of Stained Cup

About five years ago I went through my mother's cupboards and took a series of documentary photos of the objects I remembered from my childhood. This photo is my favourite from the series.

The cup in question is a plastic cup from my granny and grandad's old caravan. The caravan - and my grandparents - are long gone but the stains of their endless cups of holiday tea remain.

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Sorry for the quiet couple of days - my brother is getting married next weekend and I had to spend some time getting myself organised for it, plus I desperately needed some studio time. That studio/computer/life balance can be a bit tricky sometimes, can't it. It doesn't seem to matter where I am, there's always a little voice in the back of my head telling me that I'm in the wrong place and I should be doing about five other things!

Right, I've got a big pile of stuff that I've been collecting, so I thought I'd put some of it together in a links post.

Sister Diane over at the Craftypod has a real blast from the past with this great photo essay about Spirograph. It's a total nostalgia hit.

Lindsay Landis has a tutorial about taking professional photos of small items that some of you might find useful.

Architecture blog, BLDG has a fascinating article about the allure of underground cities.

A moving article about designers who are working on creative solutions to help homeless people from the very intriguing WebUrbanist blog. I particularly loved the amazing inflatable buildings that run on the waste air from buildings.

This is a ridiculous story about a 13 year old boy who was suspended for three days by an Arizona public school because he sketched a picture that resembled a gun. The drawing is reproduced in the news story and I have to say that it looks far more like a plan of a building to me than a gun. Ha, I'm betting half of us would get ourselves suspended from school too! I used to draw mushroom clouds all over my school text books, it didn't mean I fancied a bit of nuclear war.

I enjoyed this story from The Guardian about humour in art. It mentions the work of Hyungkoo Lee, whom I hadn't heard of before but whose work tickled me.

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I'm behind on replying to the blog comments but I will get to it in the next few days. I do read and appreciate all your comments, even if I don't manage to respond to them straight away.

Apologies to Annie Ok for misspelling her last name - apparently it's Ok, not OK. I've changed the blog post in question, Annie.

Thanks go out to the following people, who all linked to here or to the Diary Project:
Abstract Inner Visionz
Natural Logo Design Blog
Max Lieberman
NoRaHzArT
Maramcp
Lindsay Obermeyer
Lisa Mikulski
and a special thanks to Tina Mammoser, who has been repeatedly pimping me in both her blogs.

Thanks folks, I appreciate it and if I've accidentally missed anyone out, I apologise.

OK, better get off and have a shower and then get back into the studio...