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Hey lovelies, it's been killing me to keep this quiet, so I'm chuffed to bits that I can finally announce my Super-Exciting Something.

Ta-da!

Next week I'll be teaching my first ever online class in collaboration with Tara Swiger from Blonde Chicken and Crafting A Business. As you'll see if you watch the video below, I am quite ridiculously excited about this. In fact, it was all I could do not to pepper this entire post with exclamation marks.

What's it about?

The class is called 'Within Limits' & it's for those of you who want to have a creative business despite having time or energy challenges like an illness, children or another job. I wanted to share some of the things that I've learnt from my bloody-minded determination to have an art career (and now a shiny new business), despite having Chronic Fatigue Syndrome and raising a kid. Tara and I felt that November was the perfect time to offer this class because the holiday season tends to bring those time/energy challenges into sharp relief.

When is it?

The class is on Wednesday 10th November at 3pm Eastern Time and consists of an hour-long call with Tara and I, followed by a Twitter chat. You'll then be sent a recording of the class AND a worksheet that will help you set out your own Time & Energy Budget. We'll be talking tips and more importantly, the attitudes that can help you manage your own restrictions.

What does it cost?

The class is only $35, which is outrageously good value. Just to recap, that's an online call, a Twitterchat, a recording and a worksheet, all for $35.

Oh Kirsty, please tell me more...

So, I made a little five minute video to launch the class and er, I got a bit over-excited...

This is either charming and funny OR I'm a complete dork, I haven't quite decided which yet. It makes me laugh but I suspect that may be because I'm a dork.

Buy the class

If I've convinced you, head on over to Tara's site and buy the class.

Share the news

P.S. If you'd like to share this, please click one of the social media buttons below.

And I will love you forever and come round to your house with chocolates. OK, maybe not the chocolate part because some of you are very far away but I would be very grateful and happy because I want to get this out to as many people as possible.


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During November I'm taking part in the Customer Love Challenge.

Big Heart of Art - 1000 Visual Mashups
Creative Commons License photo credit: qthomasbower

Huh? What is the Customer Love Challenge?

The Customer Love Challenge started in September of this year after Naomi Dunford from Ittybiz wrote this post about how if you needed to make a lot of money quickly, you should love on your people hard for 28 days and then ask them for money on the last 2 days.

LaVonne Ellis from The Complete Flake got all inspired, said, 'let's do it!' and the first Customer Love Challenge was born.

Now LaVonne wants to run another one during November to make use of all the things learnt from the first one.

Can anyone join in?

Of course. At the moment there are at least two other artists taking part - Léan from String Revolution and Melissa Dinwiddie from Living A Creative Life - and I think it would be fabulous if more arty people joined in.

If you're interested in taking part, you can sign up here and download a free e-book. There's also a Yahoo group for participants and the Twitter hashtag is #customerlove (just stick that into the search box on Twitter & you'll see all the stuff people are saying about the challenge).

Do I have to sell something at the end of the month?

Nope. Your goal could be something different like increasing your blog readership, discovering more about your customers, getting more sign-ups to your mailing list or making new connections.

I won't be launching anything new at the end of November for two reasons.

Firstly, I've already got A Super-Exciting Something scheduled for the second week of November. The Super-Exciting Something will go on sale this week and you can expect an announcement within the next couple of days.

Plus I want to run a 48 hour sale on my birthday, which is on the 15th December. That feels like enough to me.

Why are you taking part?

Me, passing up a chance for some hawt internet lovin'? Are you crazy?

I'm doing Customer Love partly because the idea scared me and I like to face things down but also because I want to get to know my readers better and tell you all how much I appreciate you.

What are you going to do?

I have no freaking clue!

OK, that's not quite true. I've written down a few ideas and things are starting to take shape. However, I'm very open to suggestions on this one, so if there's any way that I can help you, please leave a comment below or drop me a line and I'll give it my best shot.


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I've always known that I'm not in it for the money.

Don't get me wrong - earning money is great and if you buy some art, a consulting session or an Artist's Eyeball, rest assured that I will do The Happy Money Dance.

Malta - Euros (Coins)
Creative Commons License photo credit: marfis75

I'm not averse to earning money; I'm just not motivated by it.

I am motivated primarily by interest and enthusiasm.

If I'm bored by something, well, hey, good luck getting me to do it!

I've always been spectacularly bad at jumping through other people's hoops, which is why I've deliberately arranged my life so I do as little of it as possible. Oh sure, there's always some hoop-jumping but take it from me, a great deal of other people's stupid shit can be avoided if you're bloody-minded enough. And as my parents and a generation of teachers discovered, I'm capable of taking passive resistance to whole new levels of creativity when I don't want to do something.

Far better for everyone involved if I'm doing something that excites me.

Of course, I am not immune to Maslow's hierarchy of needs: you can motivate me with food and safety but after a certain basic level, I need that addictive buzz of excitement. I can and will do things that I find boring but it eats my brain alive. If you gave me the choice between an interesting low-paid job and a highly-paid dull job, as long as I wasn't going to starve then I'd take the interesting job every single time. Even if I tried to be 'sensible' and take the highly-paid boring job, I know from past experience that I wouldn't be able to stick it out. Sooner or later, I'd crack. I used to be able to manage a couple of years of mind-numbing boredom in paid employment: now I probably wouldn't even get that far.

I've always felt slightly envious of people who are motivated by their pay cheques or who don't mind a bit of boredom as long as they get to do what they want at the weekend. Goodness knows, I'd have a lot more money and outward trappings of success if I was wired that way. I've tried changing this aspect of myself. I've tried just sucking it up and working in paid employment. I've tried rewriting my brain so that I'm more motivated by money and the things it brings. But the best I've been able to manage is making some of the boring stuff more interesting using techniques like Havi's Metaphor Mouse.

Now I am well aware that this makes me sound like a bit of a spoilt brat. This is not the intention: I'm just dealing with my reality here. And my reality is that 'not being bored' is my primary motivator: not safety, independence, impressing other people, having nice things or any of the other reasons that people like to earn big pay cheques.

My secondary motivation is helping people.

This is not the 'ooh I'm such a nice person, look how selfless and generous I' reason that it might appear to be. Sadly, it's more selfish than that. Although I do genuinely want others to do well, the truth is that I need to teach.

 

yellow calcite
Creative Commons License photo credit: House Of Sims

This is unsurprising, since teaching is in both my blood and my family culture. My Mum & Granny were teachers, as were several aunts & uncles and now at least three of my cousins. It was bound to get me eventually.

[Yes Mum, you can feel vindicated: I don't teach in a school like you always expected but I've wound up with a business that involves regular teaching. Feel free to commence gloating.]

Eventually I worked out that it was probably a smart idea to find people willing to pay me to teach them because otherwise I start randomly giving people at parties impromptu lectures on why they need an internet presence.

And then people stop inviting me to parties.

Which is one reason why I think it's important to know what motivates you. The other reason is that if you're travelling down a road that requires one kind of motivation when you've got a different kind, then you're always going to struggle.

What about you?

Do you know what motivates you? If so, does knowing help?

Leave a comment. Or write your own blog post about the subject - if you do, please let me know and I’ll link to it

 

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It's been ages since I did a purely visual post on here but I couldn't resist sharing these glorious cloud photos that I took on the flight back from Amsterdam on Saturday.

It was grey and pouring with rain when we left Schiphol Airport but we climbed through the dark clouds to reveal this magical sunlit panorama. It's odd to think that - unless you climbed to the top of a mountain - humans have only been able to see this sort of thing for a little over a hundred years.

Cloud 01
Kirsty Hall: Sunlit clouds, October 2010

Cloud 02
Kirsty Hall: Sunlit clouds, October 2010

Cloud 03
Kirsty Hall: Sunlit clouds, October 2010

Cloud 04
Kirsty Hall: Sunlit clouds, October 2010

Cloud 05
Kirsty Hall: Sunlit clouds, October 2010

I couldn't help wondering what Turner would have made of this? Don't you think he would have been just crazy about this view - I bet he'd have had his watercolours out on the plane, whatever the flight attendants said!

.................................................

In a delightful coincidence, LaVonne Ellis had a lovely guest post on Ittybiz today about how we need to remember the magic of flying in relation to our online endeavours.

Comments?

As always, leave 'em below.

 

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In the previous post, I talked about the reasons why you should collect original fine art. If you're new to collecting original work, this guide will help you to begin to feel confident in your own tastes.

The wall was framed
Creative Commons License photo credit: Leonski

It all starts with looking...

Educate your eye

The best way to start trusting your own tastes is to look at plenty of art.

So go to a bunch of different galleries and just look around. You can start with public galleries or commercial galleries where the work is for sale. I used to find commercial galleries intimidating because I knew I didn't have the money to buy anything. Now I treat them like any other shop (although I do still get horribly embarrassed if you have to ring a bell to get in). Affordable art fairs can be a fun way to see a lot of art at once.

Just remember, you're under no obligation to buy anything and the more galleries you visit, the less scared you'll become of them. Get a feel for prices but mostly get a feel for what you like.

If galleries feel super-scary, you can start by looking at art online. Many artists now have websites (although not as many as I’d like!) and there are plenty of online galleries where you can see a wide variety of art.

Make a list

Start keeping notes on artists whose work you’re drawn to. I have a mental list of artists who’s work I want to own (oh Rachael Nee, one day you will be mine!). Even if you can’t afford their work right now, it’ll help you get a sense of the sort of thing you like. If you want to be geeky, collect images of the art you like in a programme like Evernote.

Analyse your own tastes

When you see a piece of art you love, try to work out what qualities drew you to it.

Does it remind you of a particular time in your life or a special place? Do certain subjects or colours appeal more than others? Are you attracted to a particular type of media? Does it give you a certain feeling? For example, I’ve noticed that I often buy works that have a melancholic quality to them.

Sometimes there’s no pattern and you can’t gauge why you love one piece of art and feel ‘meh’ about another but often you’ll see a pattern emerging. Maybe you'll discover that you like traditional watercolour landscapes. Or perhaps contemporary, slightly abstract portraits do it for you. You may love strongly graphic works in stark black ink or perhaps brightly coloured art influenced by comics is more your thing.

When I considered my own collection I was surprised how often human figures appeared because my own work is not at all figurative. Apparently what I like to make and what I like to buy are not the same.

Read about art

You don’t need to be an expert to start collecting art; all you need is a bit of spare money! But a bit of art history knowledge can help you feel more confident in your choices. You don't need to spend a fortune, your local library should have a selection of art books and there are plenty of places online where you can read about the art that's being made right now.

Get to know some artists

Follow art blogs, read art websites, go to local art trails and chat to the artists. Familiarity with artists and what they do makes buying art easier.

Hopefully you'll soon realise that most of us aren't scary, inaccessible and weird. Many collectors get a thrill from having a relationship with 'their' artists and it can be part of the reason that people buy art.

Join mailing lists

If you find an artist whose work you love, join their mailing list even if you’re not in a position to buy from them yet. It stops you forgetting about them and you’ll get invites to their exhibitions and news of upcoming events.

Signing up for mailing lists for local galleries ensures that you get invites to their private views. These can be intimidating. However, private views can also be bizarrely reassuring because there are lots of other people there, so the focus is not on you and you can look at the art without feeling pressured to buy.

Take a friend, it's less scary and you can run away to the nearest pub if it all gets a bit much. If you're in a city, the smaller artist-run galleries almost always attract a funkier crowd than 'blue-chip', more traditional commercial galleries in the posh parts of town. Beware of the wine, it's often cheap plonk.

 

OK, you're ready to buy...

Start Small

Small works will usually be cheaper than larger works, although it does depend on how well known an artist is – a small piece by an established artist can be more expensive than a large piece by a relative unknown. Small works are generally easier to install than large works, less expensive to frame and they can be easier to live with.

Set a budget

People often think that original art is beyond their means but the price range is huge. Drawings and prints are usually cheaper than paintings. Watercolours are usually cheaper than oils. If you buy smaller works by less well known artists, you won’t need to spend a fortune.

The most expensive piece in my collection cost about £240 and most of what I own was under £70. My own work starts at £15 and currently everything in my shop is under £100, which is just stupidly low for original artwork. It won't be that price for ever but right now, I'm still building a collector base, so I'm cheap as chips!

If you feel scared about making a big mistake, setting a budget can take a lot of the fear out of art collecting. Some collectors have a specific savings account that they use for their art purchases. Although if you see something that you simply must own, many galleries have payment schemes to let you spread the cost.

Buy direct from the artist

I think one of the reasons that people are scared of buying fine art is that commercial galleries often have a bit of an 'attitude'. A lot of galleries are friendly but it can be like walking into a very expensive boutique - you instantly get that 'I'm too scruffy' feeling!

If this is the case for you, find artists online and buy direct from them. It feels a lot less 'grown-up' and scary, plus the majority of the money goes directly to the artist, so prices can sometimes be lower. This does depends on whether the artist has a gallery or not - reputable artists won't undercut their galleries but a self-representing artist like me can charge lower prices because I'm not shelling out half of the purchase price to a gallery. When you buy from a gallery the split is usually 50/50 or sometimes 40/60% with the artist getting the lower amount. Bear that in mind next time you think that art is too expensive for what it is!

Don’t worry about investment

Buying art for investment purposes is a mugs game. Certainly individual artist’s prices can skyrocket but it's a total gamble. Buy what you love and don’t worry about long-term value: the worth is in the joy you get from it now.

Although it's worth considering the appreciation and depreciation potential of a piece of art, your core criteria should always be how you feel about the work. Do you want to live with it? Can you imagine looking at it every day? Does it intrigue you? Do you think you might get bored with it? Do you want to know it better? Does it move you?

Trust your instincts

At the end of the day, I find the best way to buy art is to wait until you fall head over heels in love with something. I won't buy unless I have that 'oh, oh, I NEED it' feeling.

Make the leap

If you’ve not bought original art before, find something you love that’s in your budget range and just buy it. Congratulations, you're now an art collector!

Coming soon: Where to buy art

 

Comment

Do you buy original art? How did you start? If you haven’t bought art before, do you think you will in the future? Do commercial galleries scare the pants off you? Share your art buying thoughts and experiences in the comments.

 

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Obviously as a working artist, I'm biased: I think everyone should have original art on their walls.

Now, there's nothing wrong with owning art reproductions. If you want to look at a Van Gogh or Cezanne on a daily basis, commercial reproductions are probably your only choice unless you work in a major art gallery or you're an international art thief.

Personally I long for a reproduction of this Ian Hamilton Finlay work.

 

Ian Hamilton Finlay print
Ian Hamilton Finlay: Evening will come

This print has haunted me for years. I'll probably never be able to afford an original, limited edition, signed print but if I can find a reproduction, I'd be quite happy. I just want it on my wall because it inspires me.

However, as a general rule, I prefer to buy original art and here's why...

 

You get to feel smug

When you buy original art, you own something unique or in the case of a limited edition print, rare.

Not for you that instantly recognisable Ikea print; your walls and shelves contain art that your friends and neighbours don’t have. Let’s face it, we humans are a competitive bunch and there’s a certain kudos to owning something less run of the mill. It may be shallow but it's a major reason why people buy art.

Pleasure

Owning art brings joy into your life. I don’t pay attention to my small art collection every single day but there’s not a week goes by that I don’t suddenly notice one of the pieces I own and get a sudden surge of visual pleasure.

Connection

Although I obviously love the works themselves, I also take pleasure in the sense of connection that it gives me with the artist, especially if I've met them. There's something very special about having a tiny slice of someone else's creative life in your home: it's inspiring.

You're supporting artists

Buying contemporary art directly supports artists. When you buy someone's work, you’ve made a very positive difference to that artist’s life. You’ve put food on their table, shoes on their kid’s feet or paid their gas bill. In short, you’ve allowed them to carry on creating – way to go, you Patron of The Arts, you!

Even if you buy the work of dead artists, you're usually supporting a small businesses - with a few larger exceptions, most commercial galleries and auction houses are fairly small, locally owned businesses.

The passion of collecting

Collecting art can be a huge buzz – many collectors love the seductive aspect of falling in love with a new piece or the thrill of buying at auction. Like any other kind of collector, art collectors can get very passionate about their pursuit of art.

There are people out there for whom buying art is a major lifestyle choice - they visit art fairs, go to galleries when they're on holiday and obsessively plan what they're going to buy. It's their hobby. But I'm not like that and you don't have to be either - most art collections start very simply with a single piece of art bought on impulse.

Original art is worth more

There are some caveats to this. I don't recommend buying art for investment purposes - it's just too chancy. The art market is erratic and even if you've got a good 'eye', there's no way of telling who's going to make it. Even if you do buy a piece of art that's going to rise in value, it may not happen in your lifetime. Still, there's always the chance that you'll get lucky and the artist's prices will rise dramatically: that's not going to happen with your Ikea poster.

There are a few exceptions: things like original film posters or old socialist posters can be a good investment. Old posters are very collectable at the moment and they can be lovely to have on your walls as classic examples of graphic art or Hollywood kitsch. Of course the key words here are 'original' and 'old' - it's the increasing scarcity of the original posters that's pushing up the price. Newer reproductions of these posters aren't going to appreciate in value any time soon. However, they are a good example of something that was originally mass produced which now has a value greater than some of the one-off pieces of art from the same period. It's possible that your Ikea poster may be worth something eventually but rest assured that it's not going to happen in your lifetime because there are just too many of them out there.

 

Don't be scared!

Unfortunately a lot of people are scared of buying original art. They worry that they don't have the experience to choose art. They're scared that they'll be judged by others for what hangs on their walls and they'll have to justify their tastes. They think it will be too expensive or that it’s something that only posh middle-class people do.

The reality is that starting an art collection is not as difficult and expensive as many people think. Even with a very limited budget, you can have an original art collection. Obviously if it’s a choice between food and art, you should buy the food but if you’ve got a small discretionary budget, you can afford something more unique than that Ikea print.

In the next post I'll show you how to get comfortable with buying original art.

Leave a comment

Why do you buy art? Does it matter to you if it's an original or not? Let's hear your thoughts...

 

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Hey everyone, I'm off to Amsterdam later today to spend 5 days with my friend and her family. There will be much beer & giggling & cooing over her baby.

I have no idea how much email or Twitter access I'll have; so please don't be offended if you email me & get no response.

However, fret not, dear ones, for in a fit of quite unprecedented organisation, I have scheduled not one but two blog posts for this week. I hope you enjoy them

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Hey folks, how are you doing? Normally these newsy updates also include funny internet stuff but this one is all about me because it's been crazy-busy around here of late and the news was starting to stack up.

The Artist's Eyeball

In my usual blithe manner, I have yet again launched a brand new product a week before I go on holiday. This is getting to be a habit. I'm starting to think that I went away for a week every 4 months, my productivity would sky-rocket.

Introducing The Artist's Eyeball...

Eyeball banner

 

If you're ready to take action and improve your website or blog, these written reports are an excellent investment. They're cheaper than my one-on-one consulting, with a range of options from a single page to an entire website. They're a great place to start working with me if consulting feels a bit too intimate and scary. Even if you don't want one, you should check out the sales page because it has zombies, eyeball jokes and the word 'nefarious'.

I'll be doing a proper launch party for these once I return from holiday. If you'd like to help me promote this product, please email or leave a comment below. I'm happy to do blog interviews, guest posts and prize giveaways.

 

Shop update

Earlier this week I added some more drawings to my art store. These little 6x4 inch drawings are worked in gesso & pencil and date from November 2008.

I like these drawings a lot: the pencil is very dense in places and has that fabulous silvery sheen that graphite gets, while the white acrylic gesso gives a range of beautiful grey tones where it has mixed with the pencil. The torn edges are a deliberate and integral part of these drawings.

Pencil + gesso 02
Kirsty Hall: Pencil + gesso No. 2, Nov 08

Pencil + gesso 03
Kirsty Hall: Pencil + gesso No. 3, Nov 08

There are currently 11 drawings from this series up in the shop (one has sold already - thank you, Kari!) They're priced at £55, which I think is a bargain for original, one-off, fine art.

Oh, and if you've been hankering after one of my secret art envelopes, now is an excellent time to buy because I'm going to be in Amsterdam next week, so I can fill them with all sorts of wildly exotic Dutch things. OK, that could be misinterpreted - I promise there will be nothing too saucy unless you specifically request it!

The price of the envelopes will be rising to £20 sometime next month because they're a ton of work for £15 and that's not feeling very sustainable to me right now. So if you want one, best grab it before the price goes up.

 

Around the web

Podcast

A few months ago, I recorded a podcast with Sister Diane of Craftypod. Being More Authentic Online is about 20 minutes long and is well worth your time - we cover ethics, boundaries, sex toys and evangelical Christians!

Delightful people said nice things about me

Lindy wrote a beautiful tribute to me and the lovely LaVonne Ellis from The Complete Flake. Thanks so much Lindy, this meant a lot to me.

I inspired Jude from Salt Of The Earth to start blogging and she wrote about me in her first ever post. Thanks for your kind words, Jude and good luck with your blogging adventure.

Lisa from Fit For Paper mentioned me in a post called I Am Your Secret Admirer. I'm honoured to be on a list with such cool internet people. Incidentally, Lisa designed the spiffy new logos for Internet Hand-holding and The Artist's Eyeball that you can see on the sidebar. Aren't they wonderful! I love her to death for doing this because graphics make me cry. If you need graphics, Lisa is fantastic to work with: she was quick, inventive and endlessly patient, even with someone as indecisive as me.

I was stunned to discover that I'm one of Alltop's recommended art bloggers. I was looking down the list, nodding at the people who were included and suddenly saw my own name and blurted out, 'what the hell am I doing there?' So thank you for that Alltop peeps, it was a nice surprise and I couldn't resist the very silly badge that's now gracing my sidebar.

 

Other news

I finally got round to joining LinkedIn. I'm not very active there yet but if you'd like to add me as a connection, I'd be delighted.

The very observant of you might notice that there's been a few changes on the site. My lovely web designer has updated the buttons at the top, so we now have drop-down menus, which I'm loving with an unholy passion. But it does mean that if you link to my free resources page from your site, you'll need to update your link. Here's the new address: https://kirstyhall.co.uk/sos/resources/

I've also dropped 'Up All Night Again' as the blog name. I'd been thinking about doing this for a while as it wasn't really working. People were listing me in their blog rolls as a variety of things including 'Kirsty Hall', 'Up All Night' or Up All Night Again'. If you're obsessively tidy and feel the need to update your blogroll, the official title is now 'Kirsty Hall's Art Blog'.

 

Well, I'm sure there's more stuff I meant to tell you but honestly, if I don't go to bed right now, I'm going to pass out from exhaustion. Catch you later, peeps...

Got a comment? Leave it below

I'd love to hear what you think of The Artist's Eyeball idea or indeed, any other thoughts you have..


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Orange Cones and Their Strange Whereabouts
Creative Commons License photo credit: Sister72

Last Monday the lovely Rachelle from Magpie Girl posted an interview with me about my Internet Hand-holding consulting service. It’s a good interview, you can read it here. As part of the interview, I offered a half price deal on a session of my consulting. Instead of the usual price of £70, Rachelle's readers could get it for its original £35. I mentioned it on Twitter and Facebook. I thought it was great deal & I was hoping for a few new clients.

And…silence.

No one bought my thing. Tumbleweeds blew past. I felt needy, desperate, sad and pathetic. No one had bought my thing even though it was half-price - clearly no one loved me and everyone thought I was crap. Obviously I was a total failure. Oh woe, woe and thrice woe.

A revelation occurs

This evening I was messing around on my site when I realised that the sales page for Internet Hand-holding had moved in the last couple of days due to a bit of site tweaking.

‘Oh’, thought I, ‘I hope that Rachelle’s people aren’t getting an error page now. I should check on that.’

So I did. And it was even worse.

Rachelle and I had done the email interview some time ago and in the meantime, I had written a lovely new sales page. Unfortunately Rachelle did not know this because I had not told her. I hadn’t realised that the only link she had was for the original blog post announcing Internet Hand-holding and it didn't occurred to me to check the link when the interview was posted.

Unfortunately the original blog post did not link to the nice new sales page. In fact, it only had an old, dead Bixbe link on it. So, for an entire week, anyone clicking on the link from Rachelle’s site hoping to get a lovely special deal was directed to a page where there was absolutely no way they could buy my thing. No way at all.

Peeps, I’ve done some pretty daft things in my time but I have rarely felt quite so stupid as I did at that moment.

How I fixed it

Firstly, I contacted Rachelle, apologised and gave her the correct link. Because she is a sweetheart, she corrected it within the hour.

Then I muttered darkly about my stupidity on Twitter and several people agreed that they had also on occasion had done monumentally stupid things that took their breath away. This made me feel better.

I then edited the blog post that her post linked to. I put a message at the top of the post explaining to her readers what had happened, apologising and directing them to the correct page. I also removed the old dead Bixbe link. While it was unlikely that anyone was going to read the interview a week after it was posted, I wanted to instantly fix the problem because I had no idea how long it would take Rachelle to redirect people. Plus it was entirely my mistake and therefore my responsibility.

Then I told people on Twitter and gave them the direct link and the code.

At this point, I took a small tea break and wandered around the house laughing at myself because hey, at that point what else can you do?

Finally, I wrote this blog post.

What you can learn from this

1) Always check the technical side
‘Check the links’ is clearly the internet version of ‘measure twice, cut once’. If you’ve been featured on someone else's blog, check the links (ideally on the day it goes live, not a week later!) If you’ve moved things around on your blog, update all your links. The other thing I spotted during this debacle was that the link in my sidebar was also incorrect. Because the sales page had been moved, WordPress had magically redirected that link to the old blog post so for several days, no one could have bought my product at all.

2) Don't assume the worst
Because I was feeling sick last week, I instantly jumped to the worst possible conclusion - that everyone hated me and I should go and eat worms. Now it's entirely possible that no one does want half-price consulting but it was daft to assume that was the reason. Plus I spotted and corrected the mistake before Rachelle mentioned the offer to her entire mailing list, so it could have been much worse.

3) Apologise, fix things, move on
You can recover from what seems like disaster if you act quickly and openly. Everyone makes mistakes. Accept yours, tell people what happened, fix the problem, move on. I'm not going to beat myself up for ages about this. I did about half an hour of 'oh wow, I can't believe I was that stupid', then I dropped it. The important thing is that I've learnt from it.

4. Nothing is wasted
I got a blog post out of this, which is great as I'd been blocked on writing.

Get more help
If you'd like more information about building your online presence, check out the free resources section.

I am also available for online consulting if you need one-on-one help.